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Thanks to this legendary lineage, one could argue that the mainstream was ultimately redefined (and even queered) in the 2010's, not just politically but cinematically, too.The 2010s saw LGBTQ+ representation increase throughout the movie mainstream in a series of landmarks: Moonlight won the first Best Picture Oscar for an LGBTQ+ film the Star Wars franchise included its first LGBTQ+ character the cover of TIME magazine featured its first transgender actor a transgender actor was nominated for a major film award for the first time, followed by many more Disney featured its first gay characters and on and on, the mainstream beeing molded into something different and diverse all the while. The LGBTQ+ films of pre-Code Hollywood continued this gradual influence, and inclusive representation throughout the ensuing years has created many masterpieces. Cinema, the dominant art form of the 20th-century, is particularly representative of this in the way a film's success (critically and financially) is both determined by and determines what is considered mainstream.Queer cinema has been slowly chipping away at this slippery idea of "mainstream" since the beginning of last century with films like Making a Man of Her and I Don't Want to Be a Man. There's a reciprocal relationship between art and the societal mainstream, each influencing the other while art reflects the society which produces it, it affects that same society in turn. The mainstream adapts to constant contingencies and the ever-changing zeitgeist, something seen most explicitly in popular culture at every level. The mainstream is malleable, neither a monolith nor a mere majority.